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Vajra & Bell Set Ⅲ – with Turquoise Inlay 18cm Handcrafted

$1,485.00 USD
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Design & Symbolism
This Vajra and Bell set represents the profound union of method and wisdom, central to Vajrayana practice. The Vajra, a symbol of indestructible compassionate action, pairs with the Bell, which signifies penetrating insight and wisdom. Together, they form the ultimate ritual duo, harmonizing inner balance and outer realization.

This edition features traditional Himalayan silhouettes and is distinguished by its hand-set turquoise inlays, adding a layer of sacred color symbolismturquoise representing healing, protection, and spiritual vitality. The blend of bronze and brass gives each piece a rich, layered tone, further enhanced by the hand-applied details.


Material & Craftsmanship
Crafted from a sacred alloy of aged copper blended with new bronze and yellow brass, each piece is shaped entirely by hand. From the clay-core sculpting to metal casting, the entire process honors ancient Tibetan metallurgical traditions. The hand-inlaid turquoise is carefully placed to maintain spiritual alignment and visual harmony.


Gilding & Finish
Employing the time-honored “Seven Swallowings and Seven Spittings” gilding method (七吞七吐), the surface is meticulously layered, polished, and burnished. This multi-stage process enhances both the ritual clarity and the aesthetic warmth of the piece, producing a luminous finish that evolves over time.


Dimensions & Details

  • Height: 18cm (Vajra & Bell)

  • Material: Bronze, Brass, Aged Copper Alloy

  • Inlay: Natural Turquoise

  • Finish: Traditional gilding and hand-polishing

  • Craftsmanship: 100% Handcrafted in classical Tibetan style

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100% Tibet Authentic & Handcrafted
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For custom sizing or bespoke design requests, please contact us directly:

WeChat: potalacrafts
Email: potalacraft@gmail.com
Vajra & Bell Set Ⅲ – with Turquoise Inlay 18cm Handcrafted

The process of making a Buddha statue

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FAQ
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1. ​​What is "Limā Copper" and why is it used for Buddha statues?​​

Limā Copper is a sacred Tibetan alloy containing copper, gold, silver, zinc, and other metals. Historically used for Buddhist ritual objects, it offers superior hardness, oxidation resistance, and symbolic significance. Our statues blend ​​30% antique copper​​ (recycled from old ritual items) with ​​70% new copper​​ to balance historical authenticity with structural integrity. This fusion creates a unique patina that deepens over time, embodying the Tibetan belief that "multiple metals invite multiple blessings".

2. ​​How do "semi-handmade" and "fully handmade" processes differ?​​

Fully Handmade​​: Follows the ancient lost-wax method:
Master sculptors carve original wax models with sacred geometry rules (Iconometric Sutras).
Copper pieces are individually cast, welded, and hand-chiseled (e.g., facial features require 540,000 hammer strikes).
No molds reused; each statue is unique.
​​Semi-Handmade​​:
Uses silicone molds from original wax models for batch production.
Final polishing and detailing done manually to preserve artistic vitality.
Note: Fully handmade statues cost 3-10x more due to 6-12 months of labor.

3. ​​What makes your gilding technique "Seven Dipping-Seven Burnishing"?​​

This Ming Dynasty mercury-gilding method involves:

Applying ​​24K gold-mercury paste​​ layer by layer.
Baking at 400°C to evaporate mercury (leaving pure gold).
Burnishing with agate stones after each layer.
Seven cycles achieve a ​​0.2mm gold layer​​ – 3x thicker than standard gilding – ensuring centuries of luster without peeling. Caution: Modern electroplating cannot replicate this depth.

4. ​​Why blend old and new copper?​​
  • ​​Old Copper​​: Sourced from dismantled temple artifacts, carries ritual energy and natural oxidation for antique texture.
    ​​New Copper​​: Enhances structural stability, preventing cracks in intricate designs (e.g., deity crowns or lotus thrones).
    This fusion is validated by The Merit Sutra of Image-Making, which extols mixed-metal statues as "merit multipliers".

5. ​​How long does a statue take to complete?​​

Small statues (20cm): 1-3 months (e.g., White Tara with 180 chiseled floral motifs).
Large statues (1m+): 3-5 months (requires 3+ artisans for wax modeling, casting, and assembly).
​​Semi-Handmade​​: 1-2 months using master-approved molds.
All statues undergo final ​​"Eye-Opening" rituals​​ by lamas to consecrate spiritual presence.